| Catteria | Дата: Суббота, 05.10.2013, 23:22 | Сообщение # 1 |
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"Fight of the Year" touches on exactly how the other globe has actually embraced b-boy society, but how they're no much longer viewed as chopping side or cool in the United States.
That stresses the Sean Combs-like impresario, Dante (Laz Alonso): "How lengthy prior to hip-hop isn't really cool down?".
He needs to secure his songs, style and dancing empire by putting American b-boys back on top. He employs an aged dance pal, W.B. (for "Wonder Bread"), now a grieving, alcoholic ex-basketball coach (Josh Holloway of "Lost"). W.B. has to obtain himself up to quicken on the present state of dancing, after that recruit and coach a "desire team" of the most effective of America's finest to take on the rest of the globe, which has passed America by and long dominated the annual b-boy Olympics known as "BOTY," the Battle of the Year.
That team includes diverse big-headed, chip-on-their-shoulder showoffs, because that's just what it requires to prosper. Actual star professional dancers such as Do Knock and Flipz are combined with others, consisting of vocalist Chris Brown.
And helping coach is Jewish hip-hop authority "Franklyn with a y," played by Josh Peck.
Benson Lee, director of the definitive docudrama on the globally phenomenon, "Planet B-Boy," co-wrote and directed this, and immodestly has characters see that movie and perform its applauds. Holloway can not also mean an actual dance past, so the movie fabricates that by having his coach run his guys with drills (in split-screen sequences).
Peck, once of TV's "Drake & Josh," onetime celebrity of "The Wackness," has a small, assisting part yet is given top billing. In this case, that means his every situation features very made-up and coiffed close-ups. It's laughable.
Yet tabloid favorite Brown greater than holds his very own with this staff, evidently not also needing a dance double. The dance settings-- particularly those including teams from Germany, France and Korea-- take the b-boy transfer to the next level.
And there are sufficient simple, undemanding laughs, the best lines originating from Peck's assistant coach.
"You resemble a gazelle out there," he applauds his boss. "A gazelle with arthritis." Which, while it doesn't describe the film, does hit this category right in the bull's eye. But after that, the beauty of "Step Up" and all its exhausted imitators is that the audience they're capturing for has no concept that there have been 20 or 30 motion pictures specifically like this one that came prior to it.
He has to protect his dancing, fashion and music empire by putting American b-boys back on best. He works with an old dance buddy, W.B. (for "Wonder Bread"), now a grieving, sprituous ex-basketball coach (Josh Holloway of "Lost"). W.B. has to get himself up to quicken on the present state of dancing, then recruit and coach a "desire group" of the finest of America's ideal to take on the remainder of the world, which has passed America by and long controlled the yearly b-boy Olympics known as "BOTY," the Battle of the Year.
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